5 Minute History: The Fascinating World Of Nigerian Art
The history of Nigerian art dates back years before the Nigerian man conceptualized such creations as art. However, the recorded history of Nigerian art can be traced to less than two hundred years of age. There is numerous traditional artworks all over the world but only our ancestors are the humans who can tell us how it all started.
European colonies began exploring Africa in the 15th century. Home to millions of tribes, each with unique cultures, Nigeria is one nation whose culture is depicted through art forms such as dance, literature, music, arts and craft, fashion, and more. By the Benue river, the Nok culture lies. Believed to be the earliest settlement of ancient Nigeria, it can be said that the Nok culture pioneered the growth of other cultures of the people.
Nigerian art takes you into a world, where stone, wood and glass carvings, pottery, wire works, and paintings are heavily explored. The average Nigerian sees his/her countries art as deep, distinctive, and Afrocentric. Nigerian art majors in sculpture, masks, and textiles, many pieces too lost to count. Most of these art pieces sit in foreign museums located in colonial countries. Many stolen from the land in a quest to exploit the continent, and others were given in exchange for other items unfamiliar and fascinating to our ancestral fathers.
Though slavery ripped a huge part of Nigerian culture from the history books, records, and artifacts missing, important details of Nigerian artistic heritage survived the tongues of its people who told stories to the next generation and the next. The majority of the Nigerian art everyone learns about and sees is Nok Art
Nok Art originates from an early culture that existed among the Iron age population called the Nok culture. This culture was named after a Ham village called Nok. Nok village rested right above the Benue river in modern-day Kaduna state. The Nok culture appeared in Northern Nigeria around 1000 BC and vanished under unknown circumstances around 500 AD, thus having lasted approximately 1,500 years. Iron use forging and melting are unique to Nok culture. Terracotta sculptures are the most popular Nok art. Though the art pieces are assumed to have been made between 500BC and 200 AD, they were first discovered in 1928.
Nok art claims the oldest example of terracotta in Africa, south Saharan. Terracotta itself means baked clay and the baking is done after the modeling. The clay becomes hard when it is placed in the fire. Sculptures are fired at high temperatures to get the terracotta result as opposed to pottery fired at low temperatures. Producing this art requires technical knowledge, majorly a mastery of clay forms. Terracotta clay must have no holes or air bubbles because they expand in heat and can crack, which is a danger to the sculptor in the event it’s a big sculpture.
Nok art is known for its diversity of subject matter which could be executed with various styles, treatments, and scales. This art form shows great skill in the creation of life-sized figures and other smaller scales. Most of the terracotta sculptures of heads, most of them are almost life-sized and some have been broken off full-body sculptures. The heads are somewhat cylindrical with elaborate hairstyles that feature holes and lines and buns. Characteristics of Nok art include flared nostrils, pierced ears, nose, eyes and mouth, semi-circular or triangular eyes and eyelids, ears are taken back, lowered, and small.
Benin Art originates from the Kingdom of Benin, otherwise known as the Edo Empire (1440-1897). The Kingdom of Benin is a pre-colonial African state located in the south-south region of modern-day Nigeria. Benin Art pieces were crafted mainly for the court of the Oba of Benin. Benin art was made from cast bronze and carved ivory. Benin art is ceremonially significant as they depict the Oba’s divine nature, centrality, and his interactions with the supernatural. These art pieces honor the deified ancestors of the Oba.
Materials used in Benin art are mainly brass, ivory, and coral and are believed to be endowed with sacred powers. The value and process of art in Benin reflect the earthly and otherworldly influence of the Oba and the great wealth of his kingdom. Benin’s royal arts belong to a tradition that emulates convention even as it promotes creativity and innovation, especially as a reflection of royal prerogative. Over time, rulers have used the arts as references to interpret the history of the kingdom and to acquaint themselves with the past to build and support their own philosophies and define their images for posterity. Ivory tusks and commemorative brass heads are made specifically for royal altars and their colors signify royal power.
The leopard is significant in Benin art. This is because the king is regarded as the leopard of the house. The image of this wildcat is also linked to the Oba’s military strength. Brass casting has a debatable origin in Benin. It is considered the highest-ranking craft guild in the hierarchical structure of Benin society. The brass casting was done using the lost wax method. This method uses clay as a core for detailed wax models. When models are complete, clay is carefully molded over it and heated. This causes the wax to melt in a narrow channel, molten metal is poured into the mold and left to cool. Once cooled, the hardened clay is chipped off, leaving the image cast in bronze.
Ife Art depicts kings and gods. The majority being sculpted heads; the head structures are a result of the belief in ase. Ase is the power and energy of a person are believed to be on the head. Ilé-Ifè is the place of origin of the Yoruba people. It is believed that Ilé-Ifè was founded by Oduduwa, son of Olodumare after climbing down from the heavens. It is said that Oduduwa planted a tree with 16 branches. This further interprets the name Ilé-Ifè which means ‘land of expansion’.
Other Yoruba kingdoms stem from the Ilé-Ifè , modern-day Osun state, and rulers and clans when traced, are descendants of Oduduwa. Art is a significant part of this history and culture as it depicts the power of man in ancient times. These art pieces represent the historic people of Ife and the offices associated with them. A monumental piece is a sculpture of King Obalufon II, who is believed to have invented bronze castings. He is honored in the form of a naturalistic copper life-sized naturalistic mask.
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Author: Anuoluwapo Agboke
Original Post: https://hintng.com/history-of-nigerian-art/
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